Donna Cleary

Donna Cleary:
displace: 8 x 7 x 7 inches paper trash, plaster, 2013

Donna Cleary: detail: aberration, 51 x 29 x 8 inches paper trash, foil, wire, paper mache, 2013

Donna Cleary: aberration, 51 x 29 x 8 inches paper trash, foil, wire, paper mache, 2013

Donna Cleary: transfigure: 61 x 11 x 11.5 inches, paper trash, reclaimed wood, paint, plaster, plastic, foil, 2013

Donna Cleary, detail: transfigure

Jessica Jackson Hutchins: Pieta, chair, glazed ceramic, plaster, and wire
60 x 42 x 36 inches,Laurel Gitlen, 2011

Jessica Jackson Hutchins, Rondamoo,chicken wire, plaster and textile, dimension unknown, 2012 Hepworth Wakefield 

Still life with chair, bowl and vase, 

Chair, plaster, collage and salt-fired ceramics

109.2 x 91.4 x 78.7 cm

2008 Derek Eller

Jessica Jackson Hutchins, Love seat and bowls,

Loveseat, plaster, fabric, and ceramics

156.2 x 105 x 133.4 cm, 2008, Saatchi Gallery

Jessica Jackson Hutchins, Couch for a long time, Couch, newspaper, ceramic, 76 × 29 × 35.5 in, 2009, Whitney Biennial

Jessica Jackson Hutchins, "S.M.", chicken wire, plaster and textile,43 x 90 x 32 inches, 2010

1. Who in the contemporary art world has had the biggest influence on your work?

2. In the Artinfo article of 2009, your work was described as "intentionally unskilled" (http://www.artinfo.com/news/story/30148/jessica-jackson-hutchins).   Can you describe your process and the aesthetic decisions that you make.  

3. In that same article, Camela Raymond describes your work as "emotionally raw" and "a searching for authentic encounters with the 'real'".  In the 2012 W magazine article (http://www.wmagazine.com/artdesign/2012/09/jessica-hutchins-artist), you bravely discuss your personal history.  How do you decide how much to reveal and conceal and how important is it to you that the viewer knows how the work relates to you personally?

Bio:

http://laurelgitlen.com/artists/jessicahutchins/Hutchins_bio.pdf