Jung Hee Mun

[ J U N G    H E E    M U N ]


#1

A Moment to Remember, 2012

documentation of a site specific performance 

#2

in Minds, with Rhymes, on Lines , 2013

documentation of installation

For the Sake of My Self, 2013

Performative Video (triptych), 4:13 min 

S H I L P A    G U P T A

Singing Cloud

Object built with thousands of microphones 

with 48 multi channel audio, 2008-09

9min 30sec audio loop

180x24x60 in | 457x61x152 cm

------------------------------------------------

I want to fly,
High above in the sky

Don’t push me away

We shall all fly
High above in the sky

I want to fly high above
In your sky

Can you let it be
Only your power
And not your greed

A part of me will die
By your side
Taking you with me

High high above
in the sky

While you sleep I shall wake up and fly

designboom

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Untitled
Motion Flapboard, 2008-09
20min loop70.9x8.3x10 in | 190x21.8x25 cm

      "Every line appears for few seconds before it swaps to the next.

   Only the words that are different from the previous line change, 

and sometimes the in between characters are interchanged, 

creating a visual and mental play"

Jung Hee Mun's Questions to Shilpa Gupta

Q1:Your early work incorporates sounds which stirred viewers senses in a different way that of visual from your sculptural pieces. How do your approach those elements (provoking human sense) executed (translated) through your concept and interest?

Q2:How your interdisciplinary practices came about and what do your think about new media in a context of your work?

Q3: What will be your use of sublime coming from and how do you approach it?

JANET CARDIFF & GEORGE BURES MILLER

FOREST (for a thousand years...) 2012

The Cabinet of Curiousness 2010

The Murder of Crows 2008

Q1: How do you come up with the text you are using in your voice recorded pieces like The cabinet of Curiousness?  and where is the decision making happened when it comes to selecting texts for it?

Q2: How is the notion of spectacle coming to play in your work and how it balance out eery quality of your work?

Q3: What will be your approach on a notion of sublime as your element and how do you contextualize within your work?

Q4: What is your perspective on the word "Disorder"? in a context of senses and in a context of society in general?