Jee Hee Kang

[Jee Hee Kang]

Untitled, 2013

Untitled, 2013

Untitled, 2013

[Do Ho Suh]

Specimen Series, Specimen Series: New York City Apartment: 348 West 22nd Street, New York, NY 10011 (detail),polyester fabric, dimensions variable, 2011

Staircase, 2008

Blueprint, translucent nylon

542.01 x 264.02 x 108.46 inches, 2010

The Perfect Home II (detail), translucent nylon

110 x 240 x 516 inches, 2003

Some/One, Stainless steel military dog tags, nickel plated copper sheets, steel structure, glass fiber reinforced resin, rubber sheets

dimensions variable,  2003

Fallen Star, Installation view, Stuart Collection, UCSD, San Diego, CA,  2012

1. You studied oriental painting in Korea. How do you think of a relationship between the oriental painting and  your current fabric house works? Have you ever considered to bring your experience in oriental painting to your process of creating sculptures?

2. Do you feel that you chose the right materials to work with? Do you have any plan to use different sources to convey your ideas?

3. How do you see your next step? Is there anything you would like to change in your current fabric works, or you are thinking of doing totally different things and methods for your next works?

Denise Hwa-In Yoon

Janine Antoni

 Grope

1990, 84pockets from mens trousers,  47 X 99 X 47 inches (121 X 152 X 121cm)

Touch

 2002 Video installation Edition of 5 with 2 artist's proofs 132 X 178 inches (335.28 X 452.12 cm) Duration: 9.37 minute loop

Moor

 2001 Installation materials used in this section of the rope are: Dad's coconut husks, Joe's blue pants, Rosary beads found with Doug, Doug's grandmother's dish towel, Elizabeth's grandmother's blue and white striped apron, Mom's fall and hairnet, Grandmother Gugu's slip, Red velour Christmas dress worn by Granny Miana currently 326.9 feet 

Lick and lather

 1993 Two busts: one chocolate and one soap From an edition of 7 with 1 artist's proof + 1 full set of 14 busts, 7 of each material 24 x 16 x 13 inches (60.96 x 40.64 x 33.02 cm)

Saddle

2000 Full Raw Hide; cast of artist's body 26 x 33 x 79 inches (66.04 x 83.82 x 200.66 cm) 

1. When you are in love, does that affect your work in positive way? Or is it better in work-wise when you are hurt by love? Or not in love?

2. Is there a behind story of your choosing these material? where does material come from? 

3. Has there been any incident or epiphany that changed the direction of your work? How did you respond and why?

Denise Hwa-In Yoon

Untitled 

2012, Pillow and threads, Dimensions variable, 26 X 17 X 9 inches

Untitled

 2012, cutted shirts, Dimensions variable, 61 X 55 X 4 inches 

Untitled 

2012, Sleeveless shirts and shoes, Dimensions variable, 31 X 13 X 3 inches

Byul Han

Byul Han

                                       Moment#1 (2013)
                                                 15” x 8” x 7” 
                                                 Cement, Wood, Acrylic, wire

                                                                                      

                                          Moment#2 (2013) 
                                                    8” x 15” x 7”
                                                    Cement, Wood, Acrylic, wire

                                             Moment#3 (2013)

                                                       35” x 15” x 10”
                                                       Cement, Wood, Acrylic

Anish Kapoor

                              To Reflect an Intimate Part of the Red (1981)
                                                   Mixed media and pigment
                                                       Dimensions variable
 

                                                Svayambh (2007)
                                                          Wax and oil-based paint
                                                          Dimensions variable

                                                                                         Cloud Gate(1994)
                                                          Stainless steel
                                                          10×20×12.8m

                                                                          

                                            Yellow (1999)
                                                         Fiberglass and pigment
                                                         6×6×3 m

                                                     Untitled (2007)
                                                          Stainless steel
                                                          205×231×45 cm

                               Between Shit and Architecture (2011)
                                                             Cement
                                                             dimensions variable

                                                                                 

                                                 My Red Homeland (2003) 
                                                       Wax and oil-based paint
                                                       dimensions variable

Questions for Anish Kapoor by Byul Han

 - I am so fascinated by your works, especially the one ‘To Reflect an Intimate Part of the Red' which is made with vivid color of pigments. The colors were so powerful and the texture gave an emotional impression. How do you invent materials of your own work? I was wondering if you decide materials before beginning the work, or if you find the concept to help finding materials? Moreover, how do your materials work on your art pieces?

 - When you blend the artworks in the environment like ‘cloud gate’, what do you think about the relationship between the artworks and environment?
 
 - Your works are made in various scales from the gigantic scale to small scale. What do you think is the effect of the scale on the artwork?